Start by placing one microphone around the 12th/14th fret and the other at the bridge pointing either at the body or towards the sound hole, 6 – 12 inches away. They need to be adjusted so that they sound good on their own. Depending on what you are trying to achieve, each mic will be panned hard left or right. Once you have all the mics set up, it’s time to start recording.
Start with a clean recording of your guitar. If you don’t already have a recording device, you can use your computer to record your sound. You can also use an external recorder, such as a Zoom H4n, which can record up to 24-bit/96kHz. Once your recording is complete, save it as an MP3 or WAV file and transfer it to your DAW of choice.
What mic do you use for acoustic guitar?
Condenser microphones are, arguably, the best possible microphones for recording acoustic guitars as they can be placed close to the sound source. A cardioid polar pattern that rejects background noise and allows the guitar to be heard clearly in the recording is provided by them. This means that it must be positioned at an angle that is at least 45 degrees from the front of the instrument.
Do you need two mics to record acoustic guitar?
The only way to capture the sound of an acoustic guitar with depth and clarity is to use a multi- channel recording system. In this article, we’ll take a closer look at the different types of recording systems and how to choose the right one for your needs.
How do I record myself playing acoustic guitar?
Audio engineers sometimes recommend placing microphones two or three feet away from a guitar to capture its true character, which works well in rooms with ideal acoustics. You can get better results if you place a mic less than 12 inches from the guitar. If you want to get the most out of your microphone, it’s important to know how to set it up properly.
What are the problems when recording acoustic guitars with 2 microphones?
If two microphones are set up at different distances from the source, sound waves will arrive to the mic capsules at different times, increasing the potential for phase cancellation, which results when two out-of-phase sound waves of the same frequency cancel each other out fully or partially.
Phase cancellation can also be caused by the presence of other sound sources in the room, such as the sound of a fan or other air conditioner, or by reflections from walls, ceilings, and other surfaces. If a sound source is not in phase with the microphone, it will not be able to cancel out the incoming sound, even if it is coming from a distance of several feet away.
This is why it’s important to have a microphone that can pick up sound from all directions.
Should I record acoustic guitar in mono or stereo?
If you want to record the best possible range of high and low frequencies for your acoustic track, then stereo recording is your best bet, otherwise you will end up with a fraction of the frequencies that are possible with mono recording. In this article, I will show you how to get the most out of your stereo recordings, and how you can make your recordings sound as good as they can be.
What kind of mic should I use for guitar?
The microphones that are used most are dynamics, ribbons, and condensers. The mics all work well on their own and can give you even more options if you pair them together. They’re great for adding a bit of warmth to vocals that aren’t quite as bright as you’d like. You can even use them as a low-pass filter to cut out some of the harshness of a vocal track.
Condensors are great when you’re recording instruments that have a lot of high-frequency content, such as guitars and basses. This type of microphone can be very useful when recording drums and percussion, as it can cut through the noise and give you a more accurate representation of how the instrument sounds.