How To Record Drums At Home? (Easily Explained Inside!)

It can be your living room or your bedroom, but it has to be big enough to hold the equipment you’ll need. If you’re recording in a studio, the room should be large enough for you and your equipment to fit comfortably. You’ll also want a good soundproofing system, so you don’t have to worry about the sound bouncing around in your room.

A good place to set up your recording equipment is at the end of the hall or in the corner of a hallway. This will give you plenty of room to move around while you record, as well as allow you to see what’s going on in front of you.

I like to put my laptop on the floor in my bedroom so I can use it as a monitor while I record (it’s also a great place for me to take notes while recording).

Since one look is worth a thousand words, here’s a detailed video about it:

How Many mics do you need to record drums?

You usually need 20 mics to record drums, though you can use as few as 1. More microphones don’t guarantee that your recording will sound better, and may make it more difficult to get a clear, realistic sound. Recording with microphones involves spot, stereo, and room mics. Spot microphones are the most common type of microphone used for recording drums.

Spot microphones can be used in a variety of ways, but they are most commonly used with a microphone stand. A stand is a piece of equipment that sits on top of a drum kit and allows the microphone to be placed directly on the drum head. The microphone is placed so that it is directly in line with the head, which allows for a more accurate recording.

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If you are using a stand, make sure that you have a good one that is sturdy enough to stand up to the rigors of drumming. Some drummers prefer to use a portable stand that they can carry around with them, while others prefer the convenience of having a set of stand-mounted microphones at their disposal. Either way, it’s important to ensure that the stand you choose is strong enough for the task at hand.

What equipment do I need to mic my drums?

For snare drums, we recommend the industry standard shure sm57, for rack toms, we recommend the shure pga 98d microphones and for floor toms, we recommend the shure pga56 dynamic microphone.

Can you record drums with just one mic?

Believe it or not, you can totally get away with recording drums with one microphone!. We’re used to closing each piece of the kit in order to get the biggest, punchiest sound, but that’s not always the best way to go about it. If you’re going to record drums, it’s a good idea to have two mics, one on each side of your kit. This will give you a lot of flexibility when it comes to how you record the drums.

You can use one mic for the kick drum, and the other for your snare, for example. If you want to use two microphones on the same kit, then you’ll need to set them up so that they’re facing each other, with the mic closest to the drum being the one that will be used for recording.

For example, if you have a drum kit that has two kick drums and two tom-toms, each with their own mic, the closest mic on that kit would be your kick mic. The other mic would then be the tom mic (if it has one), and so on, until you’ve got a total of four microphones in the mix.

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What is the best way to mic drums?

Put the mic between 1″–3″ off the outer head. Placing a boundary mic on a pillow inside the kick is the simplest option if you have a hole in the resonant head. It will give you the best sound by keeping the bleed from other drums and cymbals to a minimum.

If you don’t want to use a mic, you can also use your kick drum as a low-pass filter. This is a great way to add a bit of low end to your drum sound without having to buy a new one. You can use the same technique to filter out the high end of your snare drum.

Do drums need a preamp?

Drum machines and synths do not have to be run through pres in order to be recorded on a typical audio interface. If you want to use microphones and drums in a live setting, you only need pres with them. If you are using a drum machine or synth, you will need to set up a pre-amp.

This is a device that is connected to the audio input of the machine and is used to amplify the sound coming out of it. It is usually a small box that plugs into the microphone input on the mixer. If you have a mixer that has a mic input, then you can use that as the input for the preamp as well.

They are designed to boost the signal coming from a microphone or other audio source to a certain level, and then pass that signal through a series of amplifiers before it reaches the output of your mixer, which is what you hear when you plug in your headphones or speakers.

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Do I need drum mics?

Miking up a drum kit on stage isn’t always necessary or possible in small venues. If the size of the room and the PA system can handle it, a single mic on the kick drum can really add a lot to the sound of a song.

Can you use a condenser mic to record drums?

One way to record drums with one microphone is to place the microphone in front of the kit. I only recommend using an omni-directional microphone from this far away. This is a directional microphone, meaning that it picks up sound from all directions, not just from the direction the drum is being played.

If you are using an omnidirectional mic, you will need to adjust the distance between the mic and your kit to get the most out of it. If you have a drum kit with a lot of cymbals, it may be a good idea to use a different mic placement for each drum.

For example, if you want to capture the sound of a snare drum, place your mic about 5 feet away from it, and then move it closer to it as you play. You can also use the same technique for a hi-hat or tom, but you may have to move your mics closer or further away depending on how loud it is.

Are SM57 good for drums?

When it comes to micing a snare drum, the SM57 has pretty much dominated for the best part of 50 years. SM57 adds just the right amount of weight and presence to the drum. The 57 is a go-to mic and has featured on a lot of records.

SM58, on the other hand, has been around for a few years now, but has yet to really take off. It’s not a bad mic by any means, it just doesn’t have quite the same punch or presence as its bigger brother.

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